Camera: Polaroid Pinhole 80
Film: Polaroid 88

© Taiwan Memory, NCL
吾，女王陛下御屬不列顛國駐安平領事館

生為兩層磚木造建築、上設木造雙柱陽台，略有此小學校園中之新校舍貌

吾幸為福爾摩莎第二座不列顛國領事館，曾與同為女王轄下之德記洋行並立傲視帆桅；然今僅留此深埋校園之基礎，優雅身影只可史料尋一粟

百年之齡，吾存於世上之唯一足跡卻因興築蓄水之槽而遭抹除

嗚呼！吾老朽之蚵殼灰漿與紅土薄磚弱比螳臂

今吾之殘驅將再深埋於此幕穴，於史於實，吾將消逝不復存在。僅留唏噓如煙上輕空；徒諷仿吾新舍留世間

堀込憲二（Horigome, Kenji）、賴建宏（Lai, Chien Hung），2005，小屋建築（棚、寮）的調查研究——「淡水蜑家棚」 ，
A Case Study of Small-Scale Architecture (Cabin, Shed)--Tamsui-Dan Chiya Pong
發表於「2005年保存樂透 文資開獎」文化資產博碩士論文獎助頒獎典禮暨論文發表會

copyright: Chien Hung Lai

「棚」、「寮」等的小屋建築類型，不在現今學術方面的建築研究對象以內，最大的原因是這種建築技術上來看很幼稚。但是簡單的結構與技術的建築物並不一定是低等的。因為所有的建築都有其社會上的功能，多種多樣的建築都沒有上下的關係，而是平列的關係。按照各場合的需求各自發揮其功能。小屋建築看起來很幼稚（自建方式、臨時的等），但是卻顯現出二十一世紀的建築可能需要的特色，包括對環境的負荷少的建築工法與材料，以及地域或個人可以自主管理的規模的這種特色。

Cabin or Shed as type of Small-Scale Architecture are greatly disregarded by the academy. The main reason is that they are inmature from the building technique aspect. However, the fact that buildings which are built with simple building technologies and structure does not necessary mean that they are entry-level architecture. On the contrary, the variety of small-scale architecture may represents the characters of 21st century architecture, including low env-load construction methods and materials, let alone self-admin ran by the local or personal scale..

copyright: Kenji Horigome, Chien Hung Lai

看過《小屋の力》後，開始對福爾摩莎的各式小型建築物產生興趣，也累積了一些照片。更發現學弟的碩士研究正是淡水河畔上的小型住宅建築物。常民但獨特的建築研究在福爾摩莎建築學術界中似乎並沒有受到太多的重視，然而就如同上面所言，這樣的營建方式及觀念似乎更切合下世紀的建築需求。

如果有興趣，請看詳細中英摘要，但請注意其所有權屬賴建宏所有
目前除了零星拍攝的小屋照片外，A也對安平漁港的魚網、漁具倉褲進行了攝影記錄工作，有時間便會整理上線。若大家有興趣也一起來吧！

Master Thesis: 淡水蜑家棚調查研究（An Architectural Study on the Tamsui-Dan Chiya Pong）
Researcher: 賴建宏（Lai, Chien Hung）
Supervisor: 堀込憲二（Horigome, Kenji）

【摘要】
台灣各地有不少的農業、林業等產業用的「棚」、「寮」等以及居民自己蓋的小屋建築。特別是淡水河口附近自然形成的這種「淡水蜑家棚」小屋為一個明顯的案例。本研究的首要目的，是對於這種因為週期或產業的關係而容易被拆掉的小屋，盡量詳細的、多面向的留下紀錄是第一個目的。其次，是對於對於這種小屋建築再評估，以二十一世紀建築被要求的自立性、永續性、循環性等內容的探討，則為本文的另項目的。
淡水河系小屋建築類型的影響因子，除了社會經濟、城鄉移民、原鄉記憶、戰後移民的相互影響外，其共通特質還包括對於河系環境與自然力的態度與協調過程，及小屋使用者的歷史與社會背景的結合性之獨特發展，終致產生差異甚大的小屋類型及細部調整。以整體性的觀點來理解淡水河系，自上游到下游的各別小屋簇群，與河濱環境的對應關係；更為位處淡水鼻仔頭的「淡水蜑家棚」，如何出現在淡水河系的下游段，建構合理性與獨一性的風土建築物進行瞭解。
傳統技術和非機械的(Low-tech)技術表現，不一定全部都對環境具有正面的意義與功能。，但是還是要從Low-tech技術中學習的地方的話，就是人如何跟環境協調及建築在循環中如何加入等的思考。另外，以建築個案來探討「淡水蜑家棚」可發現它並非是廣東蜑家棚的複製品，而是以自身條件(原鄉、社會的、經濟的)基礎，在生存環境中的「累積選擇下」，維持人與環境的動態平衡所演化出來本地的建築型態。

【關鍵詞】
小屋、棚、寮、文化地景、文化資產、蜑民

【Abstract】
In Taiwan there are cabins, sheds or cottages build by workers and inhabitants on their own for the use of agriculture, forestry or dwelling. Tamsui-Dan Chiya Ponhg located near the Tamsui estuary is a conspicuous example.
The primary purpose of this research is to record details of the structures from various angles as far as possible because the structures are likely dismantled in the factor of that they are old and shabby or moves of working places. Secondly, the purpose is to re-evaluate these micro architectures by the standards such as independency, sustainability and recyclable, as requested in the 21st-century architecture.
Factors affecting the types of architectures on Tamsui River system may include social-economic conditions, migration between cities and countryside, memories of homeland and postwar migration, however, the common characteristic is that the inhabitants’ attitude toward the environment of the river and the process of accommodation between the inhabitants and natural environment. Combining different social and historical backgrounds of inhabitants with the interaction between inhabitants and natural environment finally result in subtle adjustment and distinct types of micro architectures. This research perceives the Tamsui River system in its entirety, and examines how individual cluster from the head to the bottom of the river is relative to the riverside environment. In this case, we will understand further how Tamsui-Dan Chiya Ponhg located on BI ZAI TOU emerges by Tamsui River downstream and construct its rationality and uniqueness.
Traditional and low-tech technologies do not always have positive meanings and functions for the environment. If there is something worth to learn from traditional and low-tech technologies, it may be the thinking about how humans harmonize with environments and how architecture blends into a cycle. Furthermore, in this case study it is found that Tamsui-Dan Chiya Ponhg is not a copy of Guandong- Dan Chiya Ponhg. Instead, Tamsui-Dan Chiya Ponhg is a result of cumulative selection based on its conditions by maintaining a dynamic balance between humans and environment, and eventually evolves as a local architecture type.

【Key word】
micro architecture、cabin、shed、cultural landscape、cultural asset、dan min

copyright: Chien Hung Lai